I coined that. I have proof, right here on a drawing I made circa 1971, years before the World Wide Web existed.

Teh Sun. Teh Moon. Teh awesome.
Your home for scattered bits about language, my kid, feminism, things that happen to me and things that cross my mind
"You wanna pop me?" she said. This must have been some new-fangled youth term. The verb "to pop."
"I wanna bust a nut inside you, shorty," I said. "I wanna make you sweat, boo. Let's do this thing."
I'd like to say that she stepped out of her jeans, but in truth it took a while to maneuver two large dimpled buttocks and the accompanying vaginal wedge out of the hard shell of her Miss Sixty denims. We huffed and sweated; I had her hanging off the edge of the bed while I gripped the cuffs of her jeans; I nearly pulled a groin muscle getting her naked; but through it all I stayed hard, a testament to how much I wanted her. She kept her T-shirt on throughout the initial popping, which is just how I like my sex, infused with a little mystery. I slipped my hands beneath the cotton tee and felt the smooth creamery of her breasts while saving the visuals of those brown glossy globes for later. Her vagina was all that, as they say in the urban media - a powerful ethnic muscle scented by bitter melon, the breezes of the local sea, and the sweaty needs of a tiny nation trying to breed itself into a future. Was it especially hairy? Good Lord, yes it was. Mountains of kinkiness black as the night above the Serengeti with paprika shoots at the edges - the pubic hair alone must have clocked in at half a kilo, while providing the inspiration for two discernible trails of hair, one running up to the navel, the other to the base of the spine.
More than anything else, however, the show has turned heads with its writing, which was unexpected for several reasons. The writers behind the show had chiefly worked on the crime drama “Law & Order: Special Victims Unit,” not a series known for its laugh lines; and they put together a pair of lead characters who most resemble the slacker guys now dominating contemporary film comedy (as in “Knocked Up”).
But the writers themselves are nothing like those guys. In fact they are women.
The dialogue between the two buddies seems so authentic that Mr. Labine said he was stunned to learn two women had written it. “I didn’t actually read who wrote it when I read the script the first two times,” he said. “And then I saw it, and I was like just shocked. They definitely did a little research to figure out how to write for dudes.”
Nor is Hawaiian Tropic Zone a strip club. “No nipples,” Riese said. “You’re never, ever going to see a girl nude.” He continued, “I’m such a feminist. I love women and believe in them. And I’m not being P.C. by saying that men and women like to look at the woman’s form—it’s been going on since Michelangelo, you know, since they were doing statues of Venus de Milo. So I really believed that I was creating a restaurant that was going to appeal to men and women. I used colors that are very feminine in this place.” He gestured toward a tropical mosaic and toward a pair of soft-orange overhead lights shaped—as are the salt and pepper shakers—like breasts.
“Women like sexy. Talk about empowerment and feminism! There’s nowhere offering women sexy in the way they would like it to be—classy sexy!”
“No, but we have a beauty pageant,” Riese said. “Twice a night. Music comes on, and they walk across that stage up there. The ballots are on every table.” The winner, Riese said, “gets a little tiara, and she wins fifty dollars.”
“My understanding was that you rank them, from one to ten,” the banker persisted. “And it seemed surprising to me—I would think that the women who scored very low, especially ones who took pride in their good looks or their bodies—”
“But we don’t do that,” Riese interrupted. “That would be prehistoric.”